Preserved In Light #1: Time To Restitch
Across the creases of time there are events worth preserving for eternity. They are events with importance and significance; they transcend geographical location, languages, personal opinions and even time.
It doesn't matter if it's an event experimented by one person or a thousand, what matters is its effect in the long run.
Currently the best way we have to preserve something beyond time is through light.
As a visual artist, photography is my tool to keep important and transcending events from getting lost into oblivion, entropy, decay and the inevitable change that time brings.
In this entry I present a new series which will cover the photographic journals that contain this kind of events: Preserved In Light.
The photographic journal that inaugurates this series will be presented in chapters for the remainder of the year.
The photographic journal that inaugurates this series will be presented in chapters for the remainder of the year.
Between September and October 2018 I was both a witness and a participant on a project completely removed from my usual field of action. It is something I wouldn't have thought of doing myself but I couldn't refuse to experience something new when I was offered the chance to be part of it.
The biggest surprise though was how new of an experience it would be for me.
Through this photographic journal I will describe my personal experience of being part of this project along with other people who collaborated on it while it lasted, the people behind the curtain that made it possible to begin with as well as the creator of such endeavor.
Because for a span of three weeks it was time to create, time to make threads, time to knit together...
It was Time To Restitch.
Entry Index:
Chapter #1: What Do I Have To Do With It?
Chapter #2: Ideas From Occitanie
Chapter #3: The Three Beginnings
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